Blu-Ray Movie Review: Tron Legacy


When’s it out? Out Now!


Who’s in it?

Jeff Bridges, Garrett Hedlund, Olivia Wilde, Michael Sheen, Bruce Boxleitner.


What’s it about?

Twenty years after his father’s mysterious disappearance, Kevin Flynn’s son Sam (Garrett Hedlund) is urged by an old family friend to investigate a mysterious message that has been recently broadcast from Flynn Snr’s dusty old videogame arcade. After discovering a concealed computer laboratory there, Sam is accidentally sucked into the virtual computer world known only as the ‘Grid’

Star of the show?

It’s the special effects without any shadow of a doubt. The fact that Tron: Legacy was nominated for one solitary Academy Award this year – in the category of Sound Editing – is comprehensive proof that there’s no justice in this world. It isn’t just that the effects are state-of-the-art and consistently eye-popping, it’s that they’re so well realised and so faultlessly implemented that you end up getting sucked into its vivid world to a frankly mind-boggling degree. There are no glitchy moments that look a bit half-baked, there is no dud CGI… the whole thing is a masterpiece of perpetual visual coherence. With that said, the CGI Jeff Bridges looks far, far more unsettling than he probably should do.


Some may argue that Inception already took the cake last year but for us, Tron: Legacy makes for the hands-down best looking (and sounding) Blu-Ray experience currently available. The film may have a bit of a flabby mid-section and may not make a whole lot of sense overall, but it’s thoroughly entertaining for the vast majority of its running time, and the action scenes (in particular) are expertly crafted and tub-thumpingly exciting. Tron: Legacy is also a refreshingly unusual film, and definitely not just one for the fanatical devotees of the first film.

Hit or miss?

Hit. And if you’re lifelong a fan of the original, surely one of the best films of 2010.


Buy From


Genuinely brilliant second album from the London singer.


One of the few real beneficiaries of The X Factor effect – her version of Dylan’s Make You Feel My Love has been darting about the top 40 since the audition rounds, showing more staying power than poor Joe McElderry’s last two singles combined – Adele’s stock has risen significantly since becoming the first recipient of the Brits Critics’ Choice award. Since then she’s picked up Grammys and broken the States as a bonus, so the pressure was clearly on for her next move to deliver big. And, oh my, with 21 doesn’t she just.

The last few years have seen those who started strongly become mightily unstuck on their sophomore efforts. For every Lily Allen there’s been a Kate Nash or aDuffy – the latter’s comeback, Endlessly, seems to have fallen on significantly fewer ears than the 2.8 million who liked her debut – so it’s a treat to hear that no such problems beset 21. It really is so marvellous, you’re almost compelled to stand up and applaud it after the first listen.

21 is simply stunning. After only a handful of plays, it feels like you’ve always known it. It will see Adele become an even greater award magnet come the end of the year, leaving her contemporaries for dust. Genuinely brilliant.